{"title":"All Products","description":"","products":[{"product_id":"ruth-asawa-through-line","title":"Ruth Asawa Through Line","description":"\u003cp style=\"mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.5pt; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003eBest known today for her looped-wire sculptures, American artist Ruth Asawa (1926–2013) considered drawing as the center of her creative practice, an indispensable and generative daily exercise she likened to “scales for musicians.” Through drawing, Asawa explored the world around her and the boundaries of the medium itself. With more than 200 illustrations, \u003ci style=\"mso-bidi-font-style: normal;\"\u003eRuth Asawa Through Line\u003c\/i\u003e is the first catalogue to focus on the importance of drawing in the artist’s oeuvre, revealing her wonderfully varied output from the late 1940s to the 1990s. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.5pt; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003eAbout the Author:\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003eKim Conaty is the Steven and Ann Ames Curator of Drawings and Prints at the Whitney Museum of American Art\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003eEdouard Kopp is the John R. Eckel, Jr. Foundation Chief Curator of the Menil Drawing Institute \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e2023\u003cbr\u003eHardcover\u003cbr\u003e232 pages\u003cbr\u003e9 ½ in x 11 in\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":48966765773109,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2023_Asawa_FrontCover_WR-Bordered.jpg?v=1714753969"},{"product_id":"ruth-asawa-poster","title":"Ruth Asawa Poster","description":"\u003cp\u003e\u003cspan\u003eA poster depicting \"Untitled (WC.252, Persimmons).\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49015929405749,"sku":"","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/057A1992-2.jpg?v=1713988340"},{"product_id":"hanne-darboven-writing-time","title":"Hanne Darboven—Writing Time","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003eUnited by a minimal, idiosyncratic, and serialized approach to mark-making, Hanne Darboven’s drawings challenge linear and objective measures of time. This succinct overview of the artist’s career explores three defining aspects of her work: abstract drawings, date calculations, and monumental installations. Her drawings are sometimes unembellished pencil lines charted on graph paper, while others are densely detailed and filled with numbers and text in mesmerizing patterns. Attempting to visualize the passing of time, Darboven translated her abstract drawings into formulas that calculate specific dates as a series of counted marks—sometimes numbers, boxes, or wavelike script. As her work developed, it also grew in scale. \u003ci style=\"mso-bidi-font-style: normal;\"\u003eInventions That Have Changed Our World\u003c\/i\u003e is an engulfing installation of more than 1,300 individually framed sheets of paper, transcribed text, found sculptures, and pasted images. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003eFeaturing essays by exhibition curator Kelly Montana and art historian Dieter Schwarz, this richly illustrated catalogue enlarges ideas of what drawing can be, fueled by Darboven’s efforts to capture her subjective perception of time. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eAbout the Authors:\u003cbr\u003e\u003c\/b\u003eKelly Montana is assistant curator at the Menil Drawing Institute.\u003cbr\u003eDieter Schwarz is an independent curator and former director of the Kuntsmuseum Winterthur\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e2023\u003cbr\u003ePaperback (flexibound)\u003cbr\u003e144 pages\u003cbr\u003e7 ½ x 9 ½ in\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49136443490613,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2023-Darboven-WR-Borderedt.jpg?v=1714752956"},{"product_id":"chryssa-new-york","title":"Chryssa \u0026 New York","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003e“An excellent catalogue encompass[ing] new scholarship, an in-depth examination of the conservation of the neon work, and a detailed chronology.”—Molly Warnock, \u003ci\u003eArtforum\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003eA focused look at the Greek-born artist’s career from the 1950s to the 1970s, when she lived and worked in New York City. 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Chryssa’s innovations culminated in her installation \u003ci\u003eThe Gates to Time Square\u003c\/i\u003e, 1964–66, a monumental amalgam of welded steel, cast aluminum, and neon.\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003eEssays in this volume explore Chryssa’s enthrallment with postwar New York, reconsider her work within the realms of queer theory and the Greek diaspora, and situate her presence in the history of light art. Also included is an investigation of the technical aspects of Chryssa’s work and a robust chronology.\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 13.5pt; font-family: Times; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; color: #404040;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003e\u003cstrong\u003eAbout the Authors:\u003c\/strong\u003e\u003cbr\u003eMegan Holly Witko is external curator at Dia Art Foundation \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003eSophia Larigakis is assistant editor at Dia Art Foundation \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003eMichelle White is senior curator at the Menil Collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb style=\"mso-bidi-font-weight: normal;\"\u003eDetails:\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003e2023\u003cbr\u003eHardcover\u003cbr\u003e184 pages\u003cbr\u003e7 ¾ \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003ex 11 in\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49136560374069,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2023-Chryssa-Cover-WR-Bordered.jpg?v=1714754303"},{"product_id":"think-of-them-as-spaces-brice-marden-s-drawings","title":"Think of Them as Spaces: Brice Marden’s Drawings","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040; background: white;\"\u003eIn 1979, Brice Marden (b. 1938) asked that his drawings be thought of “as spaces,” reflecting the idea that drawing is a medium that is much more than its two physical dimensions. Looking closely at six series of drawings that span nearly the entirety of Marden’s ongoing career, this presentation features works spanning from 1975 to 2019, including the never-before-published \u003ci\u003e\u003cspan style=\"border: none windowtext 1.0pt; mso-border-alt: none windowtext 0in; padding: 0in;\"\u003eLetters from Borobudur \u003c\/span\u003e\u003c\/i\u003eof 2010. 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This carefully curated survey of the artist’s drawings from the early 1980s through 2016 explores works revolving around the mutability of identity and the fragility of place, time, and language; it also delves into Horn’s unique approach to mark-making and her process of cutting up and reassembling words and images. With sumptuous illustrations, this catalogue features an insightful look at and selected details of Horn’s large-scale—sometimes over ten feet tall—works on paper; the artist’s series of cadmium red drawings; and her cut-and-pasted word drawings that combine well-known literary texts by Gertrude Stein and William Shakespeare with colloquial expressions.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eAbout the Author:\u003cbr\u003e\u003c\/b\u003eMichelle White is the senior curator at the Menil Collection.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e2019\u003cbr\u003ePaperback (flexibound)\u003cbr\u003e192 pages\u003cbr\u003e7 ½ x 9 ½ in\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49342980587829,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2019_RoniHorn_Cover_WR_Bordered.jpg?v=1716564398"},{"product_id":"drawing-is-everything-founding-gifts-of-the-menil-drawing-institute","title":"Drawing Is Everything: Founding Gifts of the Menil Drawing Institute","description":"\u003cp class=\"MsoNormal\"\u003eA celebration of the stunning collection of artworks donated in honor of the creation of The Menil Drawing Institute\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eFeaturing outstanding 20th-century drawings promised or bequeathed to the Menil Collection for the opening of the Menil Drawing Institute, this elegant volume is a testament to the growing significance of drawings as stand-alone artworks over the past century. The drawings come from the private collections of well-known connoisseurs Janie C. Lee, Louisa Stude Sarofim, and David Whitney, and include works by artists such as Bruce Nauman, Willem de Kooning, Jasper Johns, Eva Hesse, Georgia O’Keeffe, and Jackson Pollock. Its chief curator Edouard Kopp profiles the Drawing Institute’s nature and scope, and noted scholars John Elderfield and Richard Shiff discuss historical aspects of drawing, while Terry Winters muses from an artist’s viewpoint.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAbout the Authors:\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eEdouard Kopp is John R. Eckel, Jr. Foundation Chief Curator at the Menil Drawing Institute. \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eJohn Elderfield is chief curator emeritus of painting and sculpture at The Museum of Modern Art, New York. \u003cbr\u003eRichard Shiff is the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin. \u003cbr\u003eTerry Winters is an artist who works across a wide variety of media\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e2019\u003cbr\u003e\u003c\/span\u003eHardcover\u003cbr\u003e224 pages\u003cbr\u003e8 ¼ x 10 ½ in.\u003cspan style=\"font-size: 12.0pt; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49343001887029,"sku":"","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2019_DrawingisEverything-WR-Bordered.jpg?v=1716565010"},{"product_id":"jasper-johns-catalogue-raisonne-of-drawing","title":"Jasper Johns Catalogue Raisonné of Drawing","description":"\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; border: none windowtext 1.0pt; mso-border-alt: none windowtext 0in; padding: 0in; background: white;\"\u003eThe definitive six-volume catalogue raisonné of the drawings of one of the most important artists working today\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"background: white;\"\u003eSix decades of both iconic and intimate works by Jasper Johns (b. 1930), who is still producing at the age of 88, are given their full due in this magnificent multi-volume publication. Featuring exquisite full-page illustrations of all 813 known drawings by Johns, more than 200 of which have not been published or exhibited, the volumes demonstrate how Johns has been instrumental in elevating and establishing drawing as a major medium in contemporary art, and his drawings chart his artistic interests and aesthetic evolution.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background: white;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background: white;\"\u003eFive volumes are dedicated to the drawings, documenting materials and listing exhibition and publication histories, and the large-scale reproductions feature special production details. These include the use of special inks, such as a combination with silver for graphite works and custom mixes to represent particular colors, ensuring that the reproductions are as faithful as possible with state-of-the-art printing technology. The sixth volume includes an exhibition chronology and bibliography focused on drawings, as well as indexes to the set.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background: white;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"background: white;\"\u003eThis landmark publication is a must-have for contemporary art collectors, drawings connoisseurs, art reference libraries, and university art departments.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003eDetails:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003e2018\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eHardcover (set with slipcase)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e1850 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e9 ¾ x 12 in\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49343283102005,"sku":"","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2018_JJCRD_cover_WR_bordered.jpg?v=1716569715"},{"product_id":"the-condition-of-being-here-drawings-by-jasper-johns","title":"The Condition of Being Here: Drawings by Jasper Johns","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eArguably the most important living artist in America, Jasper Johns (b. 1930) has been a leading advocate of drawing as an artistic genre in its own right, not just a preparatory medium for other works. This catalogue brings together forty-one of Johns’s drawings, spanning more than sixty years of his illustrious career. It encompasses his most famous recurring motifs, including flags, targets, and numbers, and an essay by David Breslin contextualizes this reiterative aspect of Johns’s career. Exquisite reproductions and large-scale details reveal the touch and process of this master draftsman, imparting to the reader a feeling of being in close contact with the artist himself. As this intimate book shows, Johns’s art, at once simple and enigmatic, is above all a meditation on the world around him, a constant investigation of what he calls “the condition of being here.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAbout the Authors:\u003c\/strong\u003e\u003cbr\u003eDavid Breslin is the curator and director of the collection at the Whitney Museum of American Art, New York, and former John R. Eckel, Jr. Foundation Curator of Drawings at the Menil Collection.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e2018\u003cbr\u003eHardcover\u003cspan style=\"mso-tab-count: 2;\"\u003e                  \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e110 pages\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e7 1\/4 x 9 1\/2 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 24pt; text-indent: -24pt; text-align: left;\"\u003e\u003cu\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49343914148149,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2017_TheConditionOfBeingHere_Cover_WR_Bordered.jpg?v=1716576026"},{"product_id":"mona-hatoum-terra-infirma","title":"Mona Hatoum: Terra Infirma","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003eThe work of London-based artist Mona Hatoum (b. 1952) addresses the growing unease of an ever-expanding world that is as technologically networked as it is fractured by war and exile. Best known for sculptures that transform domestic objects such as kitchen utensils or cribs into things strange and threatening, she conducts multilayered investigations of the body, politics, and gender that express a powerful and pervasive sense of precariousness. This copiously illustrated presentation of the artist’s oeuvre offers critical and art historical essays by Michelle White and Anna C. Chave and imaginative texts by Rebecca Solnit and Adania Shibli that contextualize Hatoum’s work as well as extensive discussions on a selection of significant sculptures and installations. Published in conjunction with the artist’s first major United States exhibition in twenty years, the publication features photographs of the show installed in the Menil Collection’s renowned Renzo Piano-designed building.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 150%;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 24.0pt; text-indent: -24.0pt; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eMichelle White is Senior Curator at the Menil Collection, Houston, where she recently curated exhibitions on Barnett Newman (2015), Lee Bontecou (2014), and Richard Serra (2011). She was a major contributor to all three associated catalogues. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eAnna C. Chave is Professor Emerita of Art History at the Graduate Center CUNY. Over her more than thirty-year career she has contributed to exhibition catalogues on Lynda Benglis, Constantin Brancusi, Valeria Jaudon, and Pat Stier and to a number of additional publications. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eTamara Schenkenberg is Curator at the Pulitzer Arts Foundation. She is the co-author of the forthcoming publication \u003ci\u003eMedardo Rosso: Experiments in Light and Form\u003c\/i\u003e (2017).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003ePalestinian writer Adania Shibli is the author of the novels \u003ci\u003eTouch\u003c\/i\u003e (2010) and \u003ci\u003eWe are All Equally Far from Love\u003c\/i\u003e (2012) and is the two-time winner of the Young Writers Award–Palestine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eWriter, historian, and activist Rebecca Solnit is the author of twenty books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, and including \u003ci\u003eThe Mother of All Questions\u003c\/i\u003e (2017), \u003ci\u003eMen Explain Things to Me\u003c\/i\u003e (2015), \u003ci\u003eHope in the Dark\u003c\/i\u003e (2006), and \u003ci\u003eA Field Guide to Getting \u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cmeta charset=\"utf-8\"\u003e2017\u003cbr\u003eHardcover\u003cspan style=\"mso-tab-count: 2;\"\u003e            \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e192 pages, 289 illus. \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e9 3\/4 x 12 1\/4 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49344032637237,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2017_MonaHatoum_Cover_WR_Bordered.jpg?v=1716577839"},{"product_id":"william-n-copley","title":"William N. Copley","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003eSelf-taught American artist William Nelson Copley (1919–1996) pushed the limits of art-world decorum throughout his career. Known by his signature moniker CPLY, he explored his lifelong preoccupations with Americana, puritanical hypocrisy, and the battle of the sexes through a body of largely figurative paintings, drawings, and installations that bucked the prevailing trends towards abstraction in post-World War II art. His assiduous and vivid experimentation with form, style, color, and material continued throughout his career, and his paintings, drawings, and works in other media reflect a thorough understanding of contemporaneous art movements. Copley was also a collector, gallerist, and connector of some of the most important artists of the 20th century, including Max Ernst, Man Ray, Marcel Duchamp, René Magritte, and Andy Warhol. Featuring approximately 250 paintings and works on paper, this publication provides an overview of this under-appreciated artist’s 50-odd years of creation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eCo-published with Fondazione Prada\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 150%;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 24.0pt; text-indent: -24.0pt; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eGermano Celant is an art historian, critic, and curator. He currently serves as the artistic director of Fondazione Prada, Milan. \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eGwen L. Allen is an assistant professor of art history at San Francisco State University, where she specializes in modern and contemporary art, art criticism, and visual culture. She is the author of \u003ci\u003eArtists' Magazines: An Alternative Space for Art\u003c\/i\u003e (2011).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003ePaul B. Franklin is an independent scholar and journalist. He has written extensively on Marcel Duchamp and was the editor and translator of \u003ci\u003eThe Artist and His Critic Stripped Bare: The Correspondence of Marcel Duchamp and Robert Lebel\u003c\/i\u003e (2016)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eAlison M. Gingeras is a curator and writer. She has contributed texts to \u003ci\u003eArtforum\u003c\/i\u003e \u003ci style=\"mso-bidi-font-style: normal;\"\u003eand \u003cspan style=\"mso-bidi-font-style: italic;\"\u003eParkett\u003c\/span\u003e\u003c\/i\u003e, among other publications, and is adjunct curator at the Dallas Contemporary, where she organized \u003ci\u003eBlack Sheep Feminism: The Art of Sexual Politics\u003c\/i\u003e (2016).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eJonathan Griffin is a freelance writer, critic, editor, and curator. His work has appeared in \u003ci\u003eFlash Art\u003c\/i\u003e, \u003ci\u003eAperture\u003c\/i\u003e, \u003ci\u003eArt in America\u003c\/i\u003e, and the \u003ci\u003eBrooklyn Rail,\u003c\/i\u003e and he co-authored and edited \u003ci\u003eGrizedale Arts: Adding Complexity to Confusion\u003c\/i\u003e (2009).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eToby Kamps\u003cb\u003e \u003c\/b\u003eis a curator and writer based in Hamburg, Germany. He was previously a curator of modern and contemporary art at the Menil Collection. His curatorial endeavors at the museum included \u003ci\u003eNice. Luc Tuymans\u003c\/i\u003e, \u003ci\u003eWols: A Retrospective\u003c\/i\u003e, and \u003ci\u003eSilence\u003c\/i\u003e.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eDetails:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e2016\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eSoftcover\u003cspan style=\"mso-tab-count: 2;\"\u003e                    \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e384 pages,\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e590 illus. \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e8.5 x 11 1\/4 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49344092668213,"sku":"","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2016-WilliamNCopley-Cover-WR-Bordered.jpg?v=1716578520"},{"product_id":"picasso-the-line","title":"Picasso The Line","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003ePablo Picasso (1881–1973), pursued drawing assiduously throughout his career, and this publication presents works in pen, pencil, charcoal, and paper collage from 1901 to 1966. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003eIt is not a survey of his stylistic innovations, however, but rather the first focused look at the artist's use of line, his “linealism,” as defined by an eminent scholar and principal author Carmen Giménez. Featuring extraordinary reproductions of over one hundred drawings as well as examples of Picasso’s painting and sculpture and photographs of the artist and his studio, \u003ci style=\"mso-bidi-font-style: normal;\"\u003ePicasso The Line\u003c\/i\u003e explores a fascinating yet often overlooked aspect of the artist’s formidable body of work, ultimately positioning drawing as the most inventive and mental of all artistic practices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 150%;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-left: 24.0pt; text-indent: -24.0pt; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors\u003c\/span\u003e\u003c\/strong\u003e\u003cu\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/u\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eCarmen Giménez is the founder and former director of the Musée Picasso, Málaga, and a curator at the Solomon R. Guggenheim Museum, New York. Among her previous books on the artist are \u003ci style=\"mso-bidi-font-style: normal;\"\u003ePicasso Black and White\u003c\/i\u003e (2012), \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003eEl Picasso de los Picasso\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003e (2003)\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e, and \u003ci style=\"mso-bidi-font-style: normal;\"\u003ePicasso and the Age of Iron\u003c\/i\u003e (1993).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eDavid Breslin is the\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e curator in charge of the Department of Modern and Contemporary Art at the Metropolitan Museum of Art. He is the former\u003c\/span\u003e John R. Eckel, Jr. Foundation Chief Curator of the Menil Drawing Institute. He is the co-editor of \u003ci style=\"mso-bidi-font-style: normal;\"\u003eArt History and Emergency: Crises in the Visual Arts and Humanities\u003c\/i\u003e (2016) and has curated exhibitions on the work of, among others, David Smith and Thomas Schütte.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif; mso-fareast-font-family: Cambria; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;\"\u003eClare Elliott is associate research curator at the Menil Collection. She was the curator of \u003ci style=\"mso-bidi-font-style: normal;\"\u003eForrest Bess: Seeing Things Invisible\u003c\/i\u003e (2013) and authored the accompanying publication.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e2016\u003cbr\u003eHardcover\u003cspan style=\"mso-tab-count: 2;\"\u003e      \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e176 pages\u003cspan style=\"mso-tab-count: 2;\"\u003e, \u003c\/span\u003e130 illus. \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e10 1\/2 x 11 1\/2 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49344134250805,"sku":"","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2016-Picasso-Cover-Bordered-WR.jpg?v=1716579387"},{"product_id":"as-essential-as-dreams-self-taught-art-from-the-collection-of-stephanie-and-john-smither","title":"As Essential as Dreams: Self-Taught Art from the Collection of Stephanie and John Smither","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003eBeginning in the 1980s, Stephanie and John Smither accumulated a remarkable collection of works by self-taught artists. This stunning book examines the Houston-based couple’s approach to the process of collecting, their relationships with artists, and selected works from their holdings. A team of prominent curators, writers, critics, and art historians focus on key works by twelve artists, including the boisterous neo-expressionist assemblages of Thornton Dial; brightly colored visual interpretations of the Bible by the artist, musician, and evangelical preacher Sister Gertrude Morgan; Oscar Hadwiger’s highly detailed wood models of fantastical architecture; and Carlo Zinelli’s narrative tableaus of stylized figures and animals. Also featured are works by the Virginia ceramicist Georgia Blizzard; large sheets of paper filled with fanciful depictions of floating figures, beasts, and vegetation by Solange Knopf; drawings by Hiroyuki Doi, Martín Ramírez, and Dominico Zindato; paintings by Jon Serl and Johnnie Swearingen; and carved wood sculptures by the Navajo medicine man and artist Charlie Willeto.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 150%;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: 24.0pt; text-indent: -24.0pt; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eMichelle White\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is senior curator at the Menil Collection, Houston. \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eLynne Adele\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is an independent art historian who specializes in the work of self-taught artists. \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eBrooke Davis Anderson\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is executive director of Prospect New Orleans.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman', serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eHaley Berkman\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is curatorial assistant at the Menil Collection, Houston.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman', serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eDavid Breslin \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eis the John R. Eckel, Jr. Foundation chief curator of the Menil Drawing Institute, Houston.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman', serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eVíctor M. Espinosa \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eis a senior lecturer in the Department of Sociology at the Ohio State University and an authority on transnational migration and art. \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eWilliam Fagaly\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e recently retired as the Françoise Billion Richardson curator of African Art at the New Orleans Museum of Art.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eEdward M. Gómez\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is an arts journalist, critic, and graphic designer.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman', serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eJo Farb Hernández\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is a professor of art and art history, and director of the Natalie and James Thompson Art Gallery, at San José State University, California.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman', serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eLee Kogan\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is curator emerita of the American Folk Art Museum, New York.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman', serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eColin Rhodes\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is dean of the Sydney College of the Arts at the University of Sydney and director of STOARC (Self-Taught and Outsider Art Research Collection).\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman', serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eLeslie Umberger \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eis curator of folk and self-taught art at the Smithsonian American Art Museum in Washington, DC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eDetails:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e2016\u003cbr\u003eHardcover\u003cspan style=\"mso-tab-count: 2;\"\u003e   \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e112 pages, 114 illus.\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman', serif; font-size: 0.875rem;\"\u003e11 3\/4 x 10 inches\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49344293994805,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2016-AsEssentialAsDreams-Cover-WR-Bordered.jpg?v=1716580093"},{"product_id":"artists-we-ve-known-selected-works-from-the-walter-hopps-and-caroline-huber-collection","title":"Artists We’ve Known: Selected Works from the Walter Hopps and Caroline Huber Collection","description":"\u003cp\u003e A look at 50 artists and 53 artworks from the 1950s to early 2000s as seen by two astute and wide-ranging collectors. The legendary curator Walter Hopps (1932–2005) was the founding director of the Menil Collection. His more than 50 year career included cofounding the legendary Ferus Gallery in Los Angeles with artist Ed Kienholz, serving as curator and then director of the Pasadena Art Museum (now Norton Simon Museum), and time at the Corcoran Gallery and National Collection of Fine Arts (now Smithsonian American Art Museum) in Washington, DC. He established himself as a voracious and eclectic collector of twentieth-century art, and together with his wife Caroline Huber—also a curator and artist who became codirector of Houston’s DiverseWorks—assembled an adventurous and diverse art collection. Hopps and Huber have donated or promised a large portion, more than 600 artworks, to the Menil Collection.\u003c\/p\u003e\n\u003cdiv class=\"wrapper\"\u003e\n\u003cdiv data-hook=\"product_show\"\u003e\n\u003cdiv class=\"two-thirds auto margin-below-huge\"\u003e\n\u003cdiv class=\"col-md-8\" data-hook=\"product_right_part\"\u003e\n\u003cdiv data-hook=\"product_right_part_wrap\"\u003e\n\u003cdiv id=\"product-description\" data-hook=\"product_description\"\u003e\n\u003cdiv class=\"well\" data-hook=\"description\"\u003e\n\u003cp\u003eClare Elliott, associate research curator at the Menil, selected a panoply of works from the famous to the idiosyncratic, just one slice that could be made from the gift’s treasure trove of riches. The artwork profiles are rich with Hopps and Huber’s adventures among the artists, often recounted by the artists themselves, and add insight and color to the art of our time, as well as highlight the contributions of these esteemed arts professionals to Houston, the Menil Collection, and the field of contemporary art.\u003c\/p\u003e\n\u003cp\u003eSome of the Artists: Wallace Berman, Bruce Conner, Lois Connor, Beauford Delaney, Marcel Duchamp, Jay DeFeo, Louis Faurer, Sonia Gechtoff, Sam Gilliam, Virgil Grotfeldt, Richard Jackson, Edward Kienholz, Ron Nagle, Robert Rauschenberg, Ed Ruscha, Carroll Sockwell, Anne Truitt\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"footer padding-below-medium\"\u003e\n\u003cdiv class=\"full-width\"\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"full-width\"\u003e\n\u003cdiv\u003e2023\u003c\/div\u003e\n\u003cdiv\u003eHardcover\u003c\/div\u003e\n\u003cdiv\u003e9 3\/4 × 11 inches\u003c\/div\u003e\n\u003cdiv\u003e144 pages\u003c\/div\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49344336822581,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/Menil_Online_Hopps_Huber_spreads_Page_01.jpg?v=1716581593"},{"product_id":"cy-twombly-treatise-on-the-veil-1970","title":"Cy Twombly, Treatise on the Veil, 1970","description":"\u003cp\u003e A breathtaking exploration of one of Twombly’s largest paintings, the second version of his Treatise on the Veil.\u003c\/p\u003e\n\u003cp\u003eOne of the most important American postwar artists, Cy Twombly (1928–2011) engaged with mythological and poetic source material, setting him apart from other artists of his generation. In 1970, Twombly revisited his 1968 painting Treatise on the Veil and, in a short period of focused creativity, produced a painting—\u003cem\u003eTreatise on the Veil (Second Version)\u003c\/em\u003e—on a single, 33-foot canvas along with more than a dozen related drawings.\u003c\/p\u003e\n\u003cp\u003eThis handsomely produced oversize book features three essays that examine these works in relation to Twombly’s oeuvre, contemporaneous explorations of time, the Orpheus myth, and a musical composition that Twombly cited as an influence. Large images and details bring us in close to Twombly’s magnificent meditation on time and space.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49560175673653,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2019_TwomblyTreatise_Cover-WR-Bordered.jpg?v=1718639708"},{"product_id":"apparitions-frottages-and-rubbings-from-1860-to-now","title":"Apparitions: Frottages and Rubbings from 1860 to Now","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eRubbing, the rendering an image by placing a sheet of paper over an object or textured surface and rubbing it with graphite or another marking agent, and frottage, a variety of rubbings executed on a single sheet that together produce imagery that is unrelated to their sources, are some of the most ancient and enduring ways of drawing. Bringing together a diverse yet singularly focused selection of rubbings and frottages, this publication is the first devoted to these versatile techniques. The works included span a century and a half and range from tombstone rubbings to Surrealist drawings to contemporary conceptual experiments. Frottages and rubbings by household names like Louise Bourgeois, Max Ernst, and Henri Michaux are presented alongside those of lesser-known artists such as Eileen Agar, Jennifer Bornstein, and Jindřich Štýrský. Though varied in concept and character, all of these works have an intrinsically evanescent and fugitive character; they are connected not only by technique but by their representation of the invisible. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eAllegra Pesenti is a drawings specialist and curator at large for the Menil Drawing Institute (MDI). She has previously served as the chief curator of the MDI; as curator at the UCLA Grunwald Center for the Graphic Arts, Hammer Museum, Los Angeles; and as assistant curator of drawings at the Getty Museum, Santa Monica, CA. She holds a doctorate from the Courtauld Institute of Art.\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49560199889205,"sku":"100","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2015-Apparitions-Cover-WR-Bordered.jpg?v=1718640058"},{"product_id":"klee-and-america","title":"Klee and America","description":"\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eKlee and America\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e accompanies the first large-scale exhibition of Paul Klee’s (1879–1940) work to take place in the United States in almost two decades. Despite his recent low profile in the country, the work of the German-born artist has a long history of enthusiastic reception in the United States, especially during the 1930s and 1940s. By the early 1920s, Klee was one of the leading figures within the European modernist movement, often mentioned alongside Pablo Picasso and Henri Matisse. Over the next few decades, his acclaim was quickly paralleled in the United States, where both private collectors and major museums sought out his works with increased passion. The authors explore what attracted early collectors to Klee’s work, the effect of the political and economic upheavals in Europe prior to and during World War II on his reputation, and the legacy he left American artists of the mid-20th century. Includes a chronology, detailed American exhibition history, and selected bibliography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors:\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eJosef Helfenstein is the director of the Menil Collection, where he curated \u003ci\u003eExperiments with Truth \u003c\/i\u003e(2014) and \u003ci\u003eWalter De Maria: Trilogies \u003c\/i\u003e(2011). He has published extensively on modern and contemporary art and was the principal author of the accompanying publications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eElizabeth Hutton Turner is the vice president for collections and curatorial affairs for the Terra Foundation of American Art and former senior curator at the Phillips Collection, where her projects included \u003ci\u003eGeorgia O’Keeffe: Abstraction\u003c\/i\u003e (2009) and \u003ci\u003eCalder\/Miró: A New Space for the Imagination\u003c\/i\u003e (2004). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eJenny Anger is a professor of art history at Grinnell College and the author of \u003ci\u003ePaul Klee and the Decorative in Modern Art \u003c\/i\u003e(2004).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eMichael Baumgartner is the head of the Department of Collections, Exhibitions, and Research at Zentrum Paul Klee and contributed texts to \u003ci\u003eKlee and Kandinsky: Neighbors, Friends, Rivals \u003c\/i\u003e(2015) and \u003ci\u003ePaul Klee: Life and Work \u003c\/i\u003e(2013).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eBradford A. Epley is chief conservator at the Menil Collection. A specialist in modern painting, he has published on Victor Brauner, Paul Klee, and others\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eChrista Haiml is a painting conservator at the Academy of Fine Arts Vienna and a former fellow in conservation at the Menil Collection. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eCharles W. Haxthausen is a professor of art history at Williams College and editor of \u003ci\u003eThe Two Art Histories: The Museum and the University \u003c\/i\u003e(2002). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eOsamu Okuda is a researcher and archivist at Zentrum Paul Klee as well as a practicing artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eDetails:\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e2006\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e316 pages, \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e216 illus.\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e9 1\/2 x 11 3\/4 inches \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003ePublished in association with Hatje Cantz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":49584175546677,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2006-KleeAndAmerica-Cover-WR-Bordered.jpg?v=1718992154"},{"product_id":"why-cy","title":"Why Cy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhy Cy\u003c\/em\u003e\u003cspan\u003e, an artist’s book by Tacita Dean, is a photographic response to a night Dean spent in the Cy Twombly Gallery in February 2024. Featuring immersive and hypnotic color and black-and-white photographs, as well as a separate booklet of notes by the artist, \u003c\/span\u003e\u003cem\u003eWhy Cy\u003c\/em\u003e\u003cspan\u003e is a surprising, meditative expression of Dean’s close relationship to the artist and his work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50526609277237,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/WhyCyCoverv01_JPEG.jpg?v=1738086527"},{"product_id":"allora-calzadilla-specters-of-noon","title":"Allora \u0026 Calzadilla: Specters of Noon","description":"\u003cp\u003eA book-length exploration of Jennifer Allora and Guillermo Calzadilla’s inspiration, production, and orchestration of seven conceptual works crafted for the Menil Collection’s exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAllora \u0026amp; Calzadilla: Specters of Noon\u003c\/em\u003e. The Puerto-Rico based artists considered the Menil’s Surrealist holdings, the legacy of colonial politics in the Caribbean, the politics of power production, and the conditions of environmental instability—threads that converge around the idea of solar noon, when the day drags and inertia reigns.\u003c\/p\u003e\n\u003cp\u003eThe book contains insightful essays by the exhibition’s curator, Michelle White, and art historian and poet Roberto Tejada as well as contributions on the individual artworks by Julie Ault, Elizabeth DeLoughrey, Daniel Immerwahr, Gerardo Mosquera, Molly Nesbit, Mari Carmen Ramírez, and Maria Stavrinaki, and by David Lang on his musical score. The dichotomy of light and dark can be seen in the carefully crafted design by Michael Worthington, and the installation is illustrated with sumptuous photography by Fredrik Nilsen. To complement the commissioned writings, the publication also includes texts that inspired the artists, writings and images by such varied authors as Roger Caillois, a fourth-century ascetic monk, poet Aimé Césaire, and the United States Congress (the Guano Islands Act of 1856).\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-size: 13.5pt; mso-ascii-font-family: Calibri; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: #404040;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eAuthors:\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eMichelle White, Roberto Tejada, and contributions by Julie Ault, Elizabeth DeLoughrey, Daniel Immerwahr, David Lang, Gerardo Mosquera, Molly Nesbit, Mari Carmen Ramírez, and Maria Stavrinaki\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003eHardcover\u003cbr\u003e9 × 12 inches\u003cbr\u003e168 pages\u003cbr\u003ePublished 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50922874110261,"sku":"","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/Bookstore_Look_Inside_Page_01.jpg?v=1747419765"},{"product_id":"olafur-eliasson-photographs","title":"Olafur Eliasson: Photographs","description":"\u003cp\u003eOlafur Eliasson is known for his conceptual works based on architecture, science, and natural phenomena. Through his installations—composed of materials such as ice, water, light, and metallic crystalline structures—he generates a close connection between the phenomenology of things and their surroundings. His work, as he himself puts it, “questions the way we see and all the different systems of seeing.” The first survey of Eliasson’s photographs, this publication brings attention to an underrecognized aspect of his work and contextualizes it within the artist’s broader oeuvre as well as within the history of contemporary art.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author\u003c\/strong\u003e\u003cbr\u003eMatthew Drutt is an editor, writer, and independent curator focused on modern and contemporary art. He formerly served as chief curator at the Menil Collection, where he curated the award-winning exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKazimir Malevich: Suprematism\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2003) and edited the associated publication.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003cbr\u003eSoftcover\u003cbr\u003e8 1\/2 × 10 1\/2 inches\u003cbr\u003e104 pages\u003cbr\u003ePublished 2004\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50922882007349,"sku":"","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2004-OlafurEliasson-Cover-WR-Bordered-FPO.jpg?v=1747420169"},{"product_id":"strange-eggs-poems-and-cutouts-1956-58","title":"Strange Eggs: Poems and Cutouts, 1956–58","description":"\u003cp class=\"MsoNormal\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eStrange Eggs: Poems and Cutouts, 1956–58\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e is an artist’s book printed with great care on beautiful thick paper—a recomposition of the early work of a master craftsman famous for attention to every detail. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eThis is the first publication of the complete group of cutouts that Claes Oldenburg (b. 1929) began making after moving to New York City’s Lower East Side in his 20s. They and the contemporaneous poems were “mostly done in an uncontrolled and intuitive dream mode,” as he later described. Made from found printed imagery, the Strange Eggs are enigmatic, surrealistic, and vastly different from the performances and Pop Art of the 1960s for which Oldenburg became famous. For this printed project he revisited the poems, selected pairings, and orchestrated the order of the poem–cutout pairs. Oversized and printed in high fidelity, \u003ci style=\"mso-bidi-font-style: normal;\"\u003eStrange Eggs\u003c\/i\u003e is a special treat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Author:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black; mso-bidi-font-weight: bold;\"\u003eClaes Oldenburg\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eis a world-famous artist and sculptor. 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Though her sculpture has garnered the most attention, drawing has long been an important component of Bontecou’s artistic practice. Known for forms at once organic and mechanistic, her works on paper are populated by imagery that ranges from black voids to mechanomorphs and hybrid descendants of teeth, plants, and fish. \u003ci style=\"mso-bidi-font-style: normal;\"\u003eLee Bontecou: Drawn Worlds\u003c\/i\u003e traces the arc of her oeuvre from early soot works created using powder from a welding torch to recent drawings in pencil and colored pencil that evoke cosmoses and microcosmic worlds. Includes a drawing chronology and selected exhibition history and bibliography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eMichelle White is senior curator at the Menil Collection. \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eDore Ashton is a revered art critic and art historian. 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Texts range across influences on Gandhian philosophy and outgrowths from it: the words of famous peacemakers, religious texts that inspired Gandhi, newly written historical essays, and reports on nonviolent action. Images include Gandhi’s own iconography; portraits of the Mahatma’s forebears and followers; photojournalism of nonviolent struggles in Africa, India, and the Americas; and artworks that speak to violence or issue from an inner space of peace. \u003ci\u003eExperiments with Truth\u003c\/i\u003e counterpoints poetry and ideas with mid-20th-century abstraction, sacred art from various traditions, and contemporary video and installations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eEdited by Josef Helfenstein and Joseph N. Newland, with additional contributions by Mimi Crossley Detering, Linda Hess, Toby Kamps, Vinay Lal, Neelima Shukla-Bhatt, Emilee Dawn Whitehurst, and Eric M. Wolf; and with excerpts or reprints by Amiya Chakarvarty, the Dalai Lama, John de Menil, Frederick Douglass, W.E.B. Du Bois, Henry Dunant, Mohandas Gandhi, Abdul Ghaffar Khan, John Haynes Holmes, Kabir, Martin Luther King Jr., Abraham Lincoln, Albert Mvumbi Lutuli, Nelsom Mandela, Thich Nhat Hanh, Florence Nightingale, Jelaluddin Rumi, André Scrima, Gene Sharp, Aung San Suu Kyi, Phillips Talbot, Henry David Thoreau, and Leo Tolstoy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Times New Roman',serif; mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eHardcover\u003cbr\u003e352 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e8 x 10 3\/4 inches\u003cbr\u003ePublished 2014\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50922904912181,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2014-ExperimentsWithTruth-Cover-WR-Bordered.jpg?v=1747421489"},{"product_id":"the-funk-wag-from-a-to-z","title":"The Funk \u0026 Wag from A to Z","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003eGiant, designed to evoke encyclopedias, and \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eprinted on in rich blacks on thick ivory paper, this artist book guarantees hours “free and easy wandering” along with healthy doses of pointed commentary and hilarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-language: EN-US;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-language: EN-US;\"\u003eIn 2011 and 2012, the American artist Mel Chin (b. 1951) excised all the images from a complete 25-volume set of Funk \u0026amp; Wagnall’s \u003ci style=\"mso-bidi-font-style: normal;\"\u003eUniversal Standard Encyclopedia\u003c\/i\u003e (ca. 1953–56) and began a visual re-editing. The result is \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eThe Funk \u0026amp; Wag from A to Z\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e,\u003ci style=\"mso-bidi-font-style: normal;\"\u003e \u003c\/i\u003ewith \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: #222222; mso-bidi-language: EN-US;\"\u003e524 volume-specific, \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-language: EN-US;\"\u003eprecisely cut-and-pasted\u003cspan style=\"color: #222222;\"\u003e collages\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e. \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: #222222; mso-bidi-language: EN-US;\"\u003eThousands of \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-language: EN-US;\"\u003eimages rendered by photomechanical reproduction that served the words of a populist 1950s encyclopedia have been reconfigured with 21st-century hindsight and sardonic humor to make social and artistic commentaries\u003cspan style=\"color: #222222;\"\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eThe resulting images are raucous and often confounding. Each of the encyclopedia volumes is accompanied by a poem, many of them experimental, commissioned by Chin and Nick Flynn specifically for this publication. \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eMel Chin has been creating socially engaged art for more than thirty years from his bases in Houston, New York City, and North Carolina. The touring retrospective \u003ci style=\"mso-bidi-font-style: normal;\"\u003eMel Chin: Rematch\u003c\/i\u003e was organized by the New Orleans Museum of Art in 2014.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: #3f3f3f;\"\u003eNick Flynn has published several books of both poetry and prose, including his memoir \u003ci style=\"mso-bidi-font-style: normal;\"\u003eAnother Bullshit Night in Suck City \u003c\/i\u003e(2004), which won the PEN\/Martha Albrand Award. He is a professor University of Houston.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003ePoetry contributions by: Mary Jo Bang, Jen Bervin, Nick Flynn, Terrence Hayes, Ishion Hutchinson, Michael Klein, Genine Lentine, Ben Marcus, Tamalyn Miller, K. Silem Mohammad, Rick Moody, Valzhyna Mort, Kristin Prevallet, Claudia Rankine, Haun Saussy, Barry Schwabsky, Ravi Shankar, Eleni Sikélianòs, Lili Taylor, Catherine Wagner, C.D. Wright, Matvei Yankelevich, John Yau, Matthew Zapruder, and Rachel Zucker\u003cspan style=\"color: #3f3f3f;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eDetails:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eHardcover\u003cbr\u003e320 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e7 x 11 1\/2 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50922908451125,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2014-Funk_Wag-Cover-WR-Bordered.jpg?v=1747421742"},{"product_id":"wols-retrospective","title":"Wols: Retrospective","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003ePresenting more than 200 paintings, watercolors, drawings, and photographs—the majority drawn from private collections and rarely seen in public—this publication offers the first comprehensive retrospective of the art of the short-lived German painter and photographer Wols (1913–1951) in more than 200 years. Wols’s fantastical art draws viewers into a strange, miniature world, one that bridges Surrealism and abstraction. It became influential in shaping postwar French \u003ci style=\"mso-bidi-font-style: normal;\"\u003eart informel\u003c\/i\u003e or \u003ci style=\"mso-bidi-font-style: normal;\"\u003etachisme\u003c\/i\u003e. We see Wols drawing on Surrealism and naive art, but then evolve and develop new forms of expression. Essays by German and American scholars chronicle Wols’s achievement and place it in historical and artistic context, enabling a new understanding of his work and making a strong case for its place in 20th-century art. Includes a detailed exhibition history and selected bibliography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eCo-published with Kunsthalle Bremen and Hirmer Verlag\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eEwald Rathke is curator emeritus of \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eKunstverein Frankfurt. He has contributed to numerous publications on modern art. \u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eToby Kamps is the former curator of modern and contemporary art at the Menil Collection. He  served as co-curator of \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSilence\u003c\/i\u003e (2012) and co-authored the accompanying publication.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003ePatrycja de Bieberstein Ilgner\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e \u003c\/b\u003eis the archivist at the Karin und Uwe Hollweg Foundation, Bremen, Germany. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eKaty Siegel\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e \u003c\/b\u003eis a professor of art history at Hunter College, New York, and chief curator of the school’s galleries. She recently authored \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSince ’45: America and the Making of Contemporary Art\u003c\/i\u003e (2011).\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eDetails:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eHardcover\u003cbr\u003e300 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e9 3\/4 x 12 1\/4 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50922920149301,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2013-Wols-Cover-WR-Bordered.jpg?v=1747422558"},{"product_id":"portraits-luc-tuymans","title":"Portraits. Luc Tuymans","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003eThough much has been written about Belgian artist Luc Tuymans (b. 1958) as social provocateur, his catalytic role in history painting’s revival, and the thematic exhibitions of his own art, this catalogue is the first examination of the portrait as an important and variable subject in his work. Tuymans co-curated the exhibition that forms the basis for this publication, placing his portraits in dialogue with related works from Africa, North America, the Pacific Islands, the ancient Mediterranean, and Europe in the Menil Collection. Here, the authors investigate the human likeness as a critical component of the artist’s oeuvre and examine the subject’s larger role in art history as well as document Tuymans’s first North American curatorial venture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003eAbout the Authors\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-bidi-theme-font: minor-bidi;\"\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eRobert Storr is an art critic, a professor of painting, and the dean of the Yale University School of Art, New Haven, Connecticut. A prolific author of catalogue essays and articles, his books include \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSeptember: A History Painting by Gerhard Richter \u003c\/i\u003e(2010) and \u003ci style=\"mso-bidi-font-style: normal;\"\u003eElizabeth Murray\u003c\/i\u003e (2005)\u003ci style=\"mso-bidi-font-style: normal;\"\u003e.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eToby Kamps is former curator of modern and contemporary art at the Menil Collection. He has curated the Wols retrospective co-organized with the Kunsthalle Bremen, Germany (2013), and was co-curator of \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSilence\u003c\/i\u003e and co-author of the accompanying catalogue (2012).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eSusan Sutton is the director of Ballroom Marfa in Texas and a former curatorial assistant at the Menil Collection. She recently contributed an essay to \u003ci\u003eByzantine Things in the World \u003c\/i\u003e(2013).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eClare Elliott is associate research curator at the Menil Collection. She has contributed to several catalogues and was curator and author of \u003ci style=\"mso-bidi-font-style: normal;\"\u003eForrest Bess: Seeing Things Invisible\u003c\/i\u003e (2013).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eDetails:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eHardcover\u003cbr\u003e128 pages\u003cbr\u003e10 x 11 1\/2 inches\u003cbr\u003ePublishing in 2013\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50922969956661,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2013-LucTuymans-Cover-WR-Bordered.jpg?v=1747424274"},{"product_id":"byzantine-things-in-the-world","title":"Byzantine Things in the World","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eThis enlightening book makes an object-based argument to overturn the normative understanding of Byzantine “art” through material investigation, historical recovery, and hermeneutic clearing; it argues that \u003ci style=\"mso-bidi-font-style: normal;\"\u003eart\u003c\/i\u003e is the wrong category for\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-size: 14.0pt; font-family: 'Times New Roman',serif;\"\u003e objects made by and for Medieval Greek Christians. Volume editor and principal essayist Glenn Peers proposes that \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eByzantine thinkers viewed and experienced “things” like clay pilgrim tokens, relief stamps, and icons of saints as dynamic and alive, fully capable of acting in the world. He\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-size: 14.0pt; font-family: 'Times New Roman',serif;\"\u003e puts the \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eMenil’s Byzantine holdings in a provocative web of analogies with other things—a Kongo \u003ci\u003enkondi \u003c\/i\u003efigure, a Nuu-chah-nulth mask, and contemporary artworks by artists like James Lee Byars, Donald Judd, and Yves Klein—\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-size: 14.0pt; font-family: 'Times New Roman',serif;\"\u003eto advance this assertion, which is given context by related, complementary, and even antagonistic positions by art historians with various specialties.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eGlenn Peers is a professor of early medieval and Byzantine art at the University of Texas at Austin. He is the\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003e author of \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSacred Shock: Framing Visual Experience in Byzantium\u003c\/i\u003e (2004) and \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSubtle Bodies: Representing Angels in Byzantium\u003c\/i\u003e (2001). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003eAdditional texts by: \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eCharles Barber, \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003eprofessor of medieval art history at the University of Notre Dame, Indiana; \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eStephen Caffey, assistant professor of architecture at Texas A\u0026amp;M University, College Station\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003e; Henri Franses, associate professor of art history at the American University of Beirut; \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eCaitlin Haskell, assistant curator of painting and sculpture at the San Francisco Museum of Modern Art\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003e; \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eJames Rodriguez, graduate student at Yale University, New Haven, Connecticut; Richard Shiff, \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003eEffie Marie Cain regents chair in art at the \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eUniversity of Texas at Austin\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003e; \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eShannon Steiner, graduate student at Bryn Mawr College, Pennsylvania\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003e; \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eSusan Sutton, curatorial assistant at the Menil Collection; and Robin Williams, graduate student at the University of Texas at Austin\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman';\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003cbr\u003eHardcover\u003cbr\u003e192 pages\u003cbr\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e8 1\/4 x 10 3\/4 inches\u003cbr\u003ePublished in 2013\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50922971136309,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2013-ByzantineThings-Cover-WR-Bordered.jpg?v=1747427355"},{"product_id":"silence","title":"Silence","description":"\u003cp class=\"MsoNormal\"\u003eThis catalogue examines the ways 29 artists have invoked silence to shape space and consciousness over the last century. The paintings, drawing, sculptures, installations, performances, and sound works included take silence as a subject matter or medium and explore it as symbol, memorial device, or oppressive force. It includes modern masters like Marcel Duchamp and Réne Magritte; artists who matured in the 1960s and ’70s such as Bruce Nauman and Marcel Broodthaers; documentation of Tehching Hsieh’s\u003ci style=\"mso-bidi-font-style: normal;\"\u003e One Year Performance\u003c\/i\u003e \u003ci style=\"mso-bidi-font-style: normal;\"\u003e1978–79\u003c\/i\u003e; Andy Warhol’s Electric Chair paintings and Christian Marclay’s works based on the “Silence” sign depicted; and younger artists such as Jennie C. Jones and Jacob Kierkegaard. The essays examine not only silence in art, but also humanist approaches to the subject and its historical depiction and interpretation.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAbout the Authors:\u003cbr\u003e\u003c\/strong\u003eToby Kamps is former curator of modern and contemporary art at the Menil Collection. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSteve Seid is video curator at the Berkeley Art Museum’s Pacific Film Archive, where he has fostered a rich media arts program. He has engaged with various art forms as researcher, critic, consultant, and curator for nearly four decades.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eJenni Sorkin is an assistant professor of University of California, Santa Barbara. She has been working on a book examining gender, artistic labor, and post–World War II ceramics.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003eHardcover\u003cbr\u003e112 pages\u003cbr\u003e9 1\/4 x 11 1\/2 inches\u003cbr\u003ePublished in 2012\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923028119861,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2012-Silence-Cover-WR-Bordered.jpg?v=1747427284"},{"product_id":"the-progress-of-love","title":"The Progress of Love","description":"\u003cp class=\"MsoNormal\" style=\"tab-stops: 1.25in 1.5in 130.5pt;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: #1a1a1a;\"\u003eBringing together the work of over 30 \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eartists \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'MS Minngs'; color: black;\"\u003efrom Africa, the African Diaspora, the United States, and Europe, this thematic investigation explores our \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003evaried and ever-changing conceptions of love.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'MS Minngs'; color: black;\"\u003e What types of love are culturally and historically specific? Are some kinds of love universal? How is love shaped by media, technology, and capitalism? \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eDeveloped through a transcontinental conversation between the Menil Collection, the Centre for Contemporary Art in Lagos, and the Pulitzer Foundation for the Arts, St. Louis, \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'MS Minngs'; color: black;\"\u003eThe Progress of Love\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'MS Minngs'; color: black;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eexamines these questions, pointing to the intercultural currents that inform them and in that they, in turn, inform.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'MS Minngs';\"\u003e Romantic love, self-love, friendship, familial affect, and love of one’s country are just some of the iterations considered.\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: #1a1a1a;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 1.25in 1.5in 130.5pt;\"\u003e\u003cspan\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eCo-published with the Pulitzer Foundation for the Arts, St. Louis\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 1.25in 1.5in 130.5pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eKristina Van Dyke is an independent scholar of African art and former director of the Pulitzer Foundation for the Arts, St. Louis. While she was curator of collections and research the Menil Collection, she was the principal author of \u003ci style=\"mso-bidi-font-style: normal;\"\u003eAfrican Art from the Menil Collection\u003c\/i\u003e (2008) and contributed to \u003ci style=\"mso-bidi-font-style: normal;\"\u003eArt and Activism: Projects of John and Dominique de Menil \u003c\/i\u003e(2010).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 1.25in 1.5in 130.5pt;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eBisi Silva is the director of the Centre for Contemporary Art, Lagos. She co-curated\u003ci style=\"mso-bidi-font-style: normal;\"\u003e J.D. ‘Okhai Ojeikere: Moments of Beauty\u003c\/i\u003e (2011), and her writing has appeared in \u003ci style=\"mso-bidi-font-style: normal;\"\u003eArtforum\u003c\/i\u003e,\u003ci style=\"mso-bidi-font-style: normal;\"\u003e Third Text\u003c\/i\u003e,\u003ci style=\"mso-bidi-font-style: normal;\"\u003e \u003c\/i\u003eand other periodicals.\u003ci style=\"mso-bidi-font-style: normal;\"\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eElias K. Bongmba is a professor of religious studies at Rice University in Houston. He is the author of \u003ci style=\"mso-bidi-font-style: normal;\"\u003eFacing a Pandemic: The African Church and the Crisis of Aids\u003c\/i\u003e (2007) and \u003ci style=\"mso-bidi-font-style: normal;\"\u003eThe Dialectics of Transformation in Africa\u003c\/i\u003e (2006), which won the Frantz Fanon Prize in Caribbean Thought.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eBanning Eyre is senior editor at afropop.org and a contributor to National Public Radio. His books include \u003ci style=\"mso-bidi-font-style: normal;\"\u003eIn Griot Time: An American Guitarist in Mali\u003c\/i\u003e (2000).\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eFrancesca Consagra is senior curator of prints and drawings and European painting at the University of Texas at Austin. Her exhibitions include \u003ci style=\"mso-bidi-font-style: normal;\"\u003eDreamscapes\u003c\/i\u003e (2011) and \u003ci style=\"mso-bidi-font-style: normal;\"\u003eUrban Alchemy\/Gordon Matta-Clark\u003c\/i\u003e (2009).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eDetails:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eHardcover\u003cbr\u003e188 pages\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e9 1\/4 x 11 1\/2 inches\u003cbr\u003ePublished in 2012\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923038441781,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2012-TheProgressOfLove-Cover-WR-Bordered.jpg?v=1747428422"},{"product_id":"walter-de-maria-trilogies","title":"Walter De Maria: Trilogies","description":"\u003cp class=\"MsoNormal\"\u003eThis volume details the works in American artist Walter De Maria’s (1935–2013) first major museum exhibition in the United States. De Maria was active for over 50 years and is associated with Minimal, conceptual, installation, and land art. In the expansive, Bel Air Trilogy, 2000–11, he combined exacting geometry with the entirely unexpected element of three impeccably restored 1955 Chevrolet Bel Air two-tone hardtops, piercing each with a twelve-foot-long stainless steel rod in the shape of a circle, square, or triangle. The Bel Air Trilogy is joined by the Channel Series, 1972, an austere tripartite sculpture with moveable spheres, and the three monochromatic paintings with engraved steel plates that make up The Statement Series, 1968\/2011. Together these trilogies challenge and broaden our understanding of the artist’s work. Includes a never-before-published exhibition history and bibliography.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003eHardcover\u003cbr\u003e88 pages\u003cbr\u003e11 3\/4 x 9 3\/4 inches\u003cbr\u003ePublished in 2011\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923043422517,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2011-DeMaria-Cover-WR-Bordered.jpg?v=1747428957"},{"product_id":"upside-down-arctic-realities","title":"Upside Down: Arctic Realities","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: black;\"\u003eThis book brings together ancient works from all over the Arctic region, including major sites in Russia and Alaska. It includes both utilitarian and decorative items, among them amulets, funerary offerings, and ceremonial masks, plus \u003c\/span\u003e\u003cspan style=\"mso-fareast-font-family: 'MS Mincho'; mso-fareast-theme-font: minor-fareast; color: black;\"\u003ea selection of 19th-century masks from the modern Yup’ik that showcases the persistence of these cultural traditions\u003c\/span\u003e\u003cspan style=\"color: black;\"\u003e. \u003c\/span\u003eIn his groundbreaking 1973 book \u003ci style=\"mso-bidi-font-style: normal;\"\u003eEskimo Realities\u003c\/i\u003e, Edmund Carpenter distinguished their ideas of art from those derived from the European artistic canon. The renowned specialist in the Arctic and a founder of visual anthropology showed that Eskimo concepts are rooted in the creative process itself, focusing more on the interaction between artist and material than on the finished product. Over 30 years later, \u003ci style=\"mso-bidi-font-style: normal;\"\u003eUpside Down \u003c\/i\u003einvites the reader to explore Carpenter’s discoveries through these rare objects and essays by him and other scholars in the field. \u003cspan style=\"color: black;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"color: black;\"\u003eOriginally published in French to accompany \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eUpside Down: Les Arctiques \u003c\/i\u003eat the Musée du quai Branly, Paris.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003eHardcover\u003cbr\u003e232 pages\u003cbr\u003e10 x 9 1\/2 inches\u003cbr\u003ePublished in 2011\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923048173877,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2011-UpsideDown-Cover-WR-Bordered.jpg?v=1747429179"},{"product_id":"imprinting-the-divine-byzantine-and-russian-icons-from-the-menil-collection","title":"Imprinting the Divine: Byzantine and Russian Icons from The Menil Collection","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eThis survey of the diverse icons at the Menil Collection is the first to explore the history and meaning of these remarkable works and their continued ability to surprise and impress. Dominique de Menil acquired many of the museum’s icons from the noted British collector Eric Bradley in 1985, and the collection is widely regarded as one of the most important in the United States. Not only is the full thousand years of the Byzantine empire represented within, this group of more than 60 icons altogether spans 1,200 years, from the 6th to the 18th centuries, and encompasses a number of distinct cultures, including Greek, Balkan, and Russian. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eAbout the Authors\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eAnnemarie Weyl Carr is a university distinguished professor emerita of art history at Southern Methodist University in Dallas. Her work focuses on the Byzantine, Crusader, and early modern murals and icons of Cyprus and the eastern Mediterranean Levant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eBertrand Davezac is a scholar of early medieval art and former chief curator of the Menil Collection, where he curated the exhibition \u003ci style=\"mso-bidi-font-style: normal;\"\u003eGreek Icons After the Fall of Constantinople\u003c\/i\u003e (1996) and edited the monograph \u003ci style=\"mso-bidi-font-style: normal;\"\u003eFour Icons in the Menil Collection\u003c\/i\u003e (1992).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eClare Elliott is associate research curator at the Menil Collection. She was the curator of \u003ci\u003eForrest Bess: Seeing Things Invisible\u003c\/i\u003e (2013) and authored the accompanying publication.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e\u003cstrong\u003eDetails\u003cbr\u003e\u003c\/strong\u003eHardcover\u003cbr\u003e168 pages\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e9 3\/4 x 12 inches\u003cbr\u003ePublished in 2011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923053351221,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2011-ImprintingTheDivineCover-WR-Bordered.jpg?v=1747429447"},{"product_id":"ancestors-of-the-lake-art-from-lake-sentani-and-humboldt-bay-new-guinea","title":"Ancestors of the Lake: Art from Lake Sentani and Humboldt Bay, New Guinea","description":"\u003cp class=\"MsoNormal\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAncestors of the Lake \u003c\/i\u003eexamines the distinctive art of the Lake Sentani and Humboldt Bay regions on the island of New Guinea, including their highly stylized wood sculptures and barkcloths painted with abstract designs (\u003ci style=\"mso-bidi-font-style: normal;\"\u003emaro\u003c\/i\u003e). Gathering together many important pieces for the first time, this volume includes examples from the landmark collections assembled in the 1920s by the French writer and art dealer Jacques Viot and Swiss explorer, anthropologist, and collector Paul Wirz. It reproduces a number of their contemporaneous in situ photographs, and the authors profile these men as well as other collectors, scholars, and curators who brought this art to the attention of Europeans and Americans; explore how Surrealist artists encountered and found inspiration in it; and examine the significance of the works to the peoples, both the past and present, of Lake Sentani and Humboldt Bay.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDetails:\u003cbr\u003eHardcover\u003cbr\u003e136 pages\u003cbr\u003e9 1\/4 x 11 1\/2 inches\u003cbr\u003ePublished in 2011\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923062329653,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2011-AncestorsOfTheLake-Cover-WR-Bordered.jpg?v=1747429631"},{"product_id":"vija-celmins-television-and-disaster-1964-1966","title":"Vija Celmins: Television and Disaster, 1964–1966","description":"\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eThis small, intimately scaled book is the first to concentrate on the compelling early work of Vija Celmins (b. 1938). The artist \u003c\/span\u003e\u003cspan style=\"color: black;\"\u003eis best known for her intricate representations of ocean waves, night skies, desert floors, and spider webs. Some of her first subjects, however, were warplanes, smoking guns, and other dangers inspired by images from library books, magazines, and television. In the mid 1960s, Pop Art was making its debut on the West Coast, artists in Los Angeles were developing an entirely new “cool school” language, modern abstract painting had lost its dominance, and the United States was fighting an often-televised war in Vietnam. Produced in a fertile intellectual and political period in California, Celmins’s paintings are a reflection of her environment and personal history. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: black;\"\u003eAbout the Authors:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eFranklin Sirmans \u003c\/span\u003e\u003cspan style=\"color: black;\"\u003eis curator of contemporary art at the Los Angeles County Museum of Art. He formerly served as curator of modern and contemporary art at the Menil Collection, where he curated \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eMaurizio Cattelan: Is There Life Before Death? \u003c\/i\u003e(2010) and authored the accompanying publication.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: black;\"\u003eMichelle White is curator at the Menil Collection. She recently co-curated \u003ci\u003eBarnett Newman: The Late Work\u003c\/i\u003e (2015) and curated \u003ci\u003eLee Bontecou: Drawn Worlds\u003c\/i\u003e (2014) and was a principal contributor to both catalogues.\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"color: black;\"\u003eDetails:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: black;\"\u003eHardcover\u003c\/span\u003e\u003cspan style=\"color: black;\"\u003e\u003cbr\u003e64 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003e6 1\/4 x 9 inches\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: black;\"\u003ePublished in 2010\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923063542069,"sku":"","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2010-VijaCelmins-Cover-WR-Bordered.jpg?v=1747429774"},{"product_id":"maurizio-cattelan-is-there-life-before-death","title":"Maurizio Cattelan: Is There Life Before Death?","description":"\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eThis publication features new works by Italian artist Maurizio Cattelan (b. 1960) and several of his large-scale pieces dating from 2003 to 2007, all of which are considered in the context of the Menil Collection’s remarkable holdings, with a focus on contemporary art. Cattelan’s subversive, often jarringly direct sculptures are acclaimed for their seemingly absurd juxtapositions and uncanny realism. Reflecting deep suspicions of religious and political authorities, these constructions are sardonic critiques of existing power structures that force the viewer to challenge his or her understanding of symbols both iconic and commonplace. Here works by Lucio Fontana, Robert Morris, Michelangelo Pistoletto, Robert Rauschenberg, Cy Twombly, Andy Warhol, and others are put into dialogue with Cattelan’s art. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eAbout the Author:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black; mso-bidi-font-weight: bold;\"\u003eFranklin Sirmans \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eis curator of contemporary art at the Los Angeles County Museum of Art and former curator of modern and contemporary art at the Menil Collection. At the Menil, he recently co-curated \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSteve Wolfe on Paper \u003c\/i\u003e(2009) and co-authored the accompanying publication.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003e\u003cstrong\u003e\u003cbr\u003eDetails:\u003c\/strong\u003e\u003cbr\u003eHardcover\u003cbr\u003e128 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003e6 3\/4 x 9 1\/4 inches\u003cbr\u003ePublished in 2010\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923066917173,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2010-MaurizioCattelan-Cover-WR-Bordered.jpg?v=1747429933"},{"product_id":"art-and-activism-projects-of-john-and-dominique-de-menil","title":"Art and Activism: Projects of John and Dominique de Menil","description":"\u003cp class=\"MsoNormal\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eArt and Activism\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e surveys John and Dominique de Menil’s projects in art, architecture, and civil and human rights, initiatives that deeply affected the city of Houston and often national and even international communities. Essays and short texts describe the de Menils’ collecting; their patronage of modern architecture; their promotion of film as an art form; their struggles with their adopted hometown’s conservative arts community; their involvement in Houston’s Civil Rights Movement and human rights projects worldwide; their art commissions and the initiation of scholarly projects such as catalogues raisonnés; the establishment of the Rothko Chapel and its ecumenical mission; and the creation of the Menil Collection and the satellite buildings. Includes a detailed timeline and comprehensive exhibition history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cstrong\u003eAbout the Authors:\u003c\/strong\u003e\u003c\/span\u003e\u003cu\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/u\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eCo-edited by Josef Helfenstein and Laureen Schipsi\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eTexts by Suzanne Deal Booth, William Camfield, Annemarie Weyl Carr, Mel Chin, Bertrand Davezac, Christophe de Menil, Clare Elliott, Stephen Fox, Pia Gottschaller, Walter Hopps, Richard Ingersoll, Thomas McEvilley, Gerald O’Grady, Deloyd Parker, Francesco Pellizzi, Renzo Piano, Pamela Smart, Simone Swan, Dorthea Tanning, Kristina Van Dyke, Alvia Wardlaw, and Paul Winkler\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eHardcover\u003cbr\u003e342 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e9 3\/4 x 11 1\/4 inches\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003ePublished in 2010 \u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923070161205,"sku":"","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2010-ArtAndActivism-Cover-WR-Bordered.jpg?v=1747430118"},{"product_id":"richard-serra-drawing-a-retrospective","title":"Richard Serra Drawing: A Retrospective","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eThis volume provides the first critical retrospective of the drawings of Richard Serra (b. 1939).\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e \u003c\/b\u003eOver the last 40 years the artist has received international acclaim for his unprecedented sculptural forms; his transformative drawings, while lesser known, are equally important to the discussion of art after modernism.\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e \u003c\/b\u003eExperiential, conceptual, and perceptual, they have played a fundamental role in reshaping and redefining the medium. Featuring interviews with the artists, original scholarly texts, and more than 80 quadratone plates printed in rich blacks and ranging from his early work with charcoal and graphite to his large-scale, paintstick-on-linen pieces, this publication examine Serra’s investigation of drawing as an activity both independent from and linked to his sculptural practice. Includes a drawing chronology, comprehensive exhibition history, and selected bibliography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003cbr\u003eHardcover\u003cbr\u003e230 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e9 3\/4 x 12 inches\u003cbr\u003ePublished in 2011\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923072848181,"sku":"","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2011-RichardSerra-Cover-WR-Bordered.jpg?v=1747430307"},{"product_id":"african-art-from-the-menil-collection","title":"African Art from The Menil Collection","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eBamana masks and headdresses, Lega ivories, Dogon sculpture, and Benue bronzes are among the many exquisite African artifacts found in the Menil Collection. Featuring new photography and entries by leading scholars, this publication catalogues 115 of the finest pieces. Dating primarily from the 19th and 20th centuries, the works come from North Africa and the Sahel, Coastal West Africa, and Central and East Africa. Their detailed examination is complemented by Kristina Van Dyke’s essay, which explores the formation of the Menil’s African art collection and puts it into context with the whole of the museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eKristina Van Dyke is an independent scholar of African art and former curator of collections and research at the Menil Collection.\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eAdditional texts by: Marla C. Berns, Barbara Blackmun, Arthur Bourgeois, Elisabeth L. Cameron, Marie Yvonne Curtis, Kate Ezra, Cécile Fromont, Mary K. Lambrakos, Miranda Lash, Dominique Malaquais, Salia Malé, Jessica Levin Martinez, Prita Meier, Constantine Petridis, Allen F. Roberts, Mary Nooter Roberts, Doran H. Ross, Christopher D. Roy, William Seigmann, Leon Siroto, Robert T. 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The endurance of these centuries-old traditions of magic and healing are the focus of this unique book. Exploring how spirituality influenced artists in the late 20th century and bringing together an intergenerational group of artists from North, Central, and South America, \u003ci\u003eNeoHooDoo\u003c\/i\u003e reveals the wider implications of ritualized practice in contemporary art. The work of 33 artists, including Jimmie Durham, Regina José Galindo, David Hammons, Ana Mendieta, and Dario Robleto, is accompanied by essays discussing the artistic use of ritual as a form of celebration, catharsis, or political critique. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eAbout the Authors:\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eFranklin Sirmans is curator of contemporary art at the Los Angeles County Museum of Art. He formerly served as curator of modern and contemporary art at the Menil Collection, where he curated \u003ci\u003eMaurizio Cattelan: Is There Life Before Death?\u003c\/i\u003e (2010) and authored the accompanying publication.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eJen Budney is a curator, writer, and arts administrator. Her writing has appeared in \u003ci\u003eFlash Art International\u003c\/i\u003e and \u003ci\u003eThird Text\u003c\/i\u003e among other publications. \u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eArthur C. Danto was an analytical philosopher at Colombia University, New York, as well as the art critic for the \u003ci\u003eNation \u003c\/i\u003efor over 20 years. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eJulia P. Herzberg is an art historian, independent curator, and Fulbright Senior Specialist based in New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eGreg Tate is a writer and musician living in Harlem. His books include \u003ci\u003eEverything But the Burdern: What White People Are Taking from Black Culture\u003c\/i\u003e (2003) and \u003ci\u003eFlyboy in the Buttermilk: Essays on Contemporary America\u003c\/i\u003e (1992).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003eRobert Farris Thompson is a professor of African and Afro-American history and master of Timothy Dwight College at Yale University. He's the author of several books, including the groundbreaking \u003ci\u003eFlash of the Spirit: African and Afro-American Art \u0026amp; Philosophy \u003c\/i\u003e(1983).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003cbr\u003eHardcover\u003cbr\u003e144 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003e8 3\/4 x 10 1\/4 inches\u003cbr\u003ePublished in 2008\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50923085300021,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2008-NeoHooDoo-Cover-WR-Bordered.jpg?v=1747430814"},{"product_id":"joe-overstreet-taking-flight-poster","title":"Joe Overstreet: Taking Flight Poster","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e20”w x 24”h\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":50935592583477,"sku":"","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/Poster-1.jpg?v=1747857190"},{"product_id":"joe-overstreet-taking-flight","title":"Joe Overstreet: Taking Flight","description":"\u003cdiv data-hook=\"product_show\"\u003e\n\u003cdiv class=\"two-thirds auto margin-below-huge\"\u003e\n\u003cdiv class=\"col-md-8\" data-hook=\"product_right_part\"\u003e\n\u003cdiv data-hook=\"product_right_part_wrap\"\u003e\n\u003cdiv id=\"product-description\" data-hook=\"product_description\"\u003e\n\u003cdiv class=\"well\" data-hook=\"description\"\u003e\n\u003cp\u003e\u003cem\u003eJoe Overstreet: Taking Flight\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the first museum catalogue to explore the dynamic, innovative work of the Black Arts Movement abstract painter Joe Overstreet (1933–2019). Illustrated with all new photography of the installation at the Menil, this groundbreaking survey features scholarly essays, a detailed chronology, an overview of the artist’s connection to the de Menils, and first-hand accounts of Overstreet’s life and career. The book focuses primarily on three series: the shaped canvas constructions of the 1960s; the colorful 1970s Flight Pattern series, hung with ropes from the floor, walls, and ceilings; and the immense abstract paintings he made after a trip to Senegal in 1992.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Authors:\u003c\/strong\u003e\u003cbr\u003eNatalie Dupêcher is the associate curator of modern art at the Menil Collection\u003cbr\u003eDarby English is the Carl Darling Buck Professor of Art History, University of Chicago\u003cbr\u003eRichard Hylton is Lecturer in Contemporary Art at the School of Oriental and African Studies, London\u003cbr\u003eAbbe Schriber is Assistant Professor of Art History and African American Studies, University of South Carolina\u003cbr\u003eRebecca Rabinow is Director of the Menil Collection\u003cbr\u003eIshmael Reed is a poet, novelist, playwright, and lyricist\u003cbr\u003eCorrine Jennings is an art historian and cofounder of Kenkeleba House\u003cbr\u003eJacqueline Siegel is Research Assistant, Modern and Contemporary Art at the Menil Collection\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":51097228902709,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2025-Oversteet_bordered.jpg?v=1752079978"},{"product_id":"cy-twombly-gallery","title":"Cy Twombly Gallery","description":"\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Times New Roman',serif; color: black;\"\u003eThis sumptuous volume explores the Cy Twombly Gallery, a single-artist building on the Menil campus in Houston, and the 33 paintings and 11 sculptures the artist chose to place there. It includes numerous large-scale close-ups and insightful essays on the pavilion’s creation. The art of American-born artist Cy Twombly (1928–2011) defies conventional classification. He incorporated a wide variety of elements into his work, from scrawls and calligraphic marks to text from poetry and mythology. Since its opening in 1995, the Renzo Piano–designed gallery devoted to his work has become a pilgrimage destination for the artist’s avid admirers. 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Fascinated by the expressive potential of textiles, including silk, gauze, cheesecloth, and drop cloths, Rauschenberg experimented with the ability of woven materials to capture color and light, hold printed images, and move in the air.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003eThe catalogue focuses on three series that feature fabric in some way: the idiosyncratic Venetians, 1972­–73, the gauzy Hoarfrosts, 1974–76, and the large, simple Jammers, 1975–76. New scholarly essays contextualize Rauschenberg’s work with cloth in the history of 1970s late modernism and Postminimalism, as well as his career-long interest in the intersection of art and the body through his work in scenography and costumes for dance. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003eOrganized on the occasion of the artist’s 100th birthday and facilitated by close consultation with the Robert Rauschenberg Foundation, this is the first museum survey of Rauschenberg’s fabric works and an extension of the Menil’s long and deep history with the artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003e\u003cstrong\u003eAbout the Authors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003e\u003cstrong\u003eMichelle White\u003c\/strong\u003e is the senior curator at the Menil Collection. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003eBranden W. \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003e\u003cstrong\u003eJoseph\u003c\/strong\u003e is the \u003c\/span\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003eFrank Gallipoli Professor of Modern and Contemporary Art, Columbia University. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003e\u003cstrong\u003eNick Mauss\u003c\/strong\u003e\u003cb\u003e \u003c\/b\u003eis an artist and writer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003e\u003cb\u003eJoseph N. Newland\u003c\/b\u003e is the d\u003c\/span\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003eirector of publishing at the Menil Collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003eDetails\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003e\u003cspan class=\"sp__the-pages\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003e\u003cspan class=\"sp__the-pages\"\u003eHardcover \u003cbr\u003e204 Pages\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"sp__the-trim-size\"\u003e9 x 11.5 in.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":51266150433077,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/Gladys-Edit-7.jpg?v=1756828259"},{"product_id":"magritte-mystery-of-the-ordinary-1926-1938-paperback","title":"Magritte: Mystery of the Ordinary, 1926-1938 (PAPERBACK)","description":"\u003cp\u003eThis publication focuses on the breakthrough Surrealist years of René Magritte (1898–1967), creator of some of the 20th century’s most extraordinary images. Bringing nearly 80 paintings, collages, and objects together with a selection of photographs, periodicals, and early commercial work, it offers fresh insight into Magritte’s identity as a modern artist and one of Surrealism’s preeminent painters. Beginning in 1926, when the artist first aimed to create paintings that would, in his words, “challenge the real world,” and concluding in 1938—a historically and biographically significant moment just before the outbreak of World War II—the authors trace central strategies and themes from this formative period, particularly those of displacement, isolation, transformation, metamorphosis, the “misnaming” of objects, and the representation of visions seen in half-waking states.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Authors\u003c\/strong\u003e\u003cbr\u003eAnne Umland is a curator of painting and sculpture at the Museum of Modern Art, New York. Her curatorial projects there have included\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePicasso: Guitars 1912–1914\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJoan Miró: Painting and Anti-Painting, 1927–1937\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2008).\u003c\/p\u003e\n\u003cp\u003eStephanie D'Alessandro is a curator of modern Art at the Art Institute of Chicago. She recently curated\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePicasso and Chicago\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2013) and authored the catalogue.\u003c\/p\u003e\n\u003cp\u003eJosef Helfenstein is the director of the Menil Collection. He has published extensively on modern and contemporary European and American art.\u003c\/p\u003e\n\u003cp\u003eClare Elliott is assistant curator at the Menil Collection. She was the curator of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eForrest Bess: Seeing Things Invisible\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2013) and authored the accompanying publication.\u003c\/p\u003e\n\u003cp\u003eMichel Draguet is director general of the Royal Museums of Fine Arts of Belgium, Brussels, which includes the Magritte Museum.\u003c\/p\u003e\n\u003cp\u003eClaude Goormans is a research associate at the Magritte Archives, Brussels, and assistant at the Université libre de Bruxelles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails:\u003cbr\u003e\u003c\/strong\u003eSoftcover\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e256 pages\u003cbr\u003e9 1\/4 × 11 3\/4 inches\u003cbr\u003ePublished 2013\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":51266374828341,"sku":null,"price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2013-Magritte-Cover-WR-Bordered.jpg?v=1747430511"},{"product_id":"robert-motherwell-drawing-as-fast-as-the-mind-itself","title":"Robert Motherwell Drawing: As Fast as the Mind Itself","description":"\u003cp class=\"MsoNormal\" style=\"line-height: 150%;\"\u003ePublished for the museum’s \u003ci style=\"mso-bidi-font-style: normal;\"\u003eRobert Motherwell Drawing\u003c\/i\u003e retrospective, this book surveys the artist’s career in 114 works on paper, highlighting superb examples from his most famous series. Motherwell was in love with paper as a surface and found it especially suited to his automatic and calligraphic drawing. His graphic output is justifiably famous. \u003ci style=\"mso-bidi-font-style: normal;\"\u003eAs Fast as the Mind Itself\u003c\/i\u003e features slashing brushwork in Beside the Sea, spontaneous compositions from his quintessential Lyric Suite, and prime examples of his two longest-running series, the Elegies and the Opens. The wide range of this visual poet of the New York School shines in exquisitely printed reproductions, and an insightful essay by exhibition curator Edouard Kopp and Motherwell’s own “Thoughts on Drawing.”\u003cspan style=\"color: #0070c0;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAbout the Authors:\u003c\/strong\u003e\u003cbr\u003eEdouard Kopp is the John R. Eckel, Jr. Foundation \u003cspan style=\"mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman';\"\u003eChief Curator of the Menil Drawing Institute, Menil Collection, Houston.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eRobert Motherwell (1915–1991) was a New York–based artist active from 1941 to 1991.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003eFlexibound \u003cbr\u003e174 pages, 126 color images\u003cbr\u003e7 ½ \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003ex 9 ½ inches\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":51269311856949,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/Motherwell_Cover.jpg?v=1758741102"},{"product_id":"duchamp-in-california","title":"Duchamp in California","description":"\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt; line-height: normal; mso-pagination: none; tab-stops: .25in .5in .75in 1.0in 1.25in 1.5in 1.75in 2.0in 2.25in 2.5in 2.75in 3.0in 3.25in 3.5in 3.75in 4.0in 4.25in 4.5in 4.75in 5.0in 5.25in 5.5in 5.75in 6.0in 6.25in; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Georgia',serif; mso-fareast-font-family: Aptos; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003eMarcel Duchamp’s first retrospective in 1963, curated by the youthful and energetic curator Walter Hopps, was a singular moment in twentieth-century art history. This chronicle of its conception and execution reveals an ascendant cultural history of Los Angeles in the early 1960s. A reawakening to Duchamp’s impact on contemporary thought was on full display first in California—accompanied by a remarkable cast of artists, curators, critics, gallerists, and collectors, including Larry Bell, Billy Al Bengston, Ed Bereal, Wallace Berman, George Brecht, William N. Copley, Sam Francis, Joe Goode, Richard Hamilton, Dennis Hopper, Robert Irwin, Ed Kienholz, Alison Knowles, Gerard Malanga, Marisol, Patty Mucha, Claes Oldenburg, Richard Pettibone, Ed Ruscha, Andy Warhol, and Robert Watts. With detailed installation diagrams and reproductions of every art object displayed published here for the first time, \u003ci\u003eDuchamp in California\u003c\/i\u003e shows why the exhibition is revered as an exemplar of curatorial practice for its compelling design and critical acclaim.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt; line-height: normal; mso-pagination: none; tab-stops: .25in .5in .75in 1.0in 1.25in 1.5in 1.75in 2.0in 2.25in 2.5in 2.75in 3.0in 3.25in 3.5in 3.75in 4.0in 4.25in 4.5in 4.75in 5.0in 5.25in 5.5in 5.75in 6.0in 6.25in; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Georgia',serif; mso-fareast-font-family: Aptos; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003eBy Don Quaintance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 12.0pt; line-height: normal; mso-pagination: none; tab-stops: .25in .5in .75in 1.0in 1.25in 1.5in 1.75in 2.0in 2.25in 2.5in 2.75in 3.0in 3.25in 3.5in 3.75in 4.0in 4.25in 4.5in 4.75in 5.0in 5.25in 5.5in 5.75in 6.0in 6.25in; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Georgia',serif; mso-fareast-font-family: Aptos; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003eDetails\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Georgia',serif; mso-fareast-font-family: Aptos; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"sp__the-pages\"\u003e392 Pages\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"sp__the-trim-size\"\u003e9.62 x 11.30 in.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Georgia',serif; mso-fareast-font-family: Aptos; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e\u003cspan\u003e265 color + 250 b-w illus.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":51307063247157,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/2025-Duchamp_in_California.jpg?v=1757710467"},{"product_id":"lines-of-resolution-drawing-at-the-advent-of-television-and-video","title":"Lines of Resolution: Drawing at the Advent of Television and Video","description":"\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003eLines of Resolution: Drawing at the Advent of Television and Video \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Calibri; color: black;\"\u003eexplores the relationship between drawing, television, and video in the art of the late 1950s to the 1980s. The book foregrounds the relationship between drawing and art made for the “small screen”—the domestic television set and early portable video cameras. During the period known as the “network era,” television reached its apex as a cultural force in the home, including seeding acts of political dissent and artistic experimentation. Televisual imagery permeated works on paper by Robert Rauschenberg and were an important subject for Walter De Maria; artists such as Anna Bella Geiger and Dennis Oppenheim used video to record the act of drawing; others, including Nam June Paik and Howardena Pindell, treated the screen as a site of inscription. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; color: black; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eThe catalogue features more than 25 artists from 11 countries and texts that highlight the surprising relationships between drawing and the small screen. \u003cem\u003eLines of Resolution\u003c\/em\u003e also includes artist biographies and close-up details that display both the textures of televisual technologies on screen and the drawn line on paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Authors:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eAnna Lovatt is a\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003essociate professor of Art History at Southern Methodist University.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eKelly Montana is \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eassociate curator at the Menil Drawing Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eDetails:\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"sp__the-pages\"\u003e196 Pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"sp__the-trim-size\"\u003eFlexibound, 7.50 × 9.50 in.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e90 color + b-w illus.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e9780300284171\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Menil Collection","offers":[{"title":"Default Title","offer_id":51328910000437,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0863\/5904\/8501\/files\/000-LinesofResolution_PubsShoot_20250806_002copy.jpg?v=1758637436"}],"url":"https:\/\/bookstore.menil.org\/collections\/shop-all.oembed?page=2","provider":"Menil Bookstore","version":"1.0","type":"link"}