This volume details the works in American artist Walter De Maria’s (1935–2013) first major museum exhibition in the United States. De Maria was active for over 50 years and is associated with Minimal, conceptual, installation, and land art. In the expansive, Bel Air Trilogy, 2000–11, he combined exacting geometry with the entirely unexpected element of three impeccably restored 1955 Chevrolet Bel Air two-tone hardtops, piercing each with a twelve-foot-long stainless steel rod in the shape of a circle, square, or triangle. The Bel Air Trilogy is joined by the Channel Series, 1972, an austere tripartite sculpture with moveable spheres, and the three monochromatic paintings with engraved steel plates that make up The Statement Series, 1968/2011. Together these trilogies challenge and broaden our understanding of the artist’s work. Includes a never-before-published exhibition history and bibliography.
Details: Hardcover 88 pages 11 3/4 x 9 3/4 inches Published in 2011
